Bibliography of Interdisciplinary Collaboration

Click the in front of each section for an annotated version (does not include all sources).

Collaboration
       Institution & Foundation Sites
       Project & Exhibition Sites
       Books and Articles
General Art, Science, & Technology
BioArt
Music
Theories and Methods

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BIOART

Eduardo Kac http://www.ekac.org
Tissue Culture and Art Project http://www.tca.uwa.edu.au
Ecce Homology http://www.insilicov1.org
"Bio(techno)logical art." (2002). Art Press 276: 37-54.
Barry, I., Ed. (2001). Paradise Now: Picturing the Genetic Revolution. Saratoga, The Tang Teaching Museum and Art Gallery.
Bureaud, A. "The ethics and aesthetics of biological art." Art Press 276: 38-9.
Bureaud, A. (2000). "Ars Electronica." Art Press 262: 78-9.
Castro, A. M. "Real doll." D'Ars 41(165): 12-14.
Catts, O. and I. Zurr "Growing semi-living sculptures: the Tissue Culture & Art Project." Leonardo 35: 365-70.
Catts, O., Ed. (2002). The Aesthetics of Care? Nedlands, Australia, School of Anatomy and Human Biology, University of Western Australia.
Cheon, M. (2003). "SCI-ART: Post-Photography, Documenting Our Genetic Possibilities." NY Arts Magazine. Online: http://www.artn.com/bibliography/003_006_nyarts.html
Crawford, A. "Brave new womb." Artbyte 3(4): 34-41.
Elkins, J. "Words and images most severely distorted." Circa 104: 55-7.
Flannery, M. "Images of the cell in twentieth-century art and science." Leonardo 31: 195-204.
Gibbs, M. "Data knitting." Art Monthly 266: 44.
Goodsell, D. and T. J. O'Donnell "Molecular Graphics Art Show." Leonardo 30: 153-4.
Grissom, H. (2003). "Lincoln, Massachusetts." Art Papers 27(4): July/August.
Kac, E., Gail Wight, Julie Friedman and Renate Plöchl, Ed. (1999). Gail Wight "Spike," Eduardo Kac "Genesis". Linz, Austria, Centrum für Gegenwartskunst.
Levy, E. K. "Contemporary art and the genetic code." Art Journal 55(1): 20-4.
Levy, E. K. "Visualizing evolution: a painter's interaction with science and technology." Leonardo 20: 3-8.
Levy, E. K. "Natural history re-created." Center Quarterly 11: 4-10.
Levy, E. K. "Repetition and the scientific model in art." Art Journal 55(1): 79-84.
Levy, E. K. "The genome and art: finding potential in unlikely places." Leonardo 34: 172-5.
Levy, E. K. (1996). "Contemporary art and the genetic code." Art Journal 55(1): 20-4.
Levy, E. K. (2001). "Responses." Art Journal 60(1): 6-7.
Mahon, P. "Earthmakers." Contemporary Impressions 4(2): 2-5.
Marques, T. (2003). "Genome Art Reveals the Challenges of the DNA Era." Globo. Online: http://www.artn.com/bibliography/003_006_genome.html
Morgan, A. B. "Interview with Alan Sonfist." Art Papers 15(6): 37-42.
O'Brien, P. "Ars Electronica 2000." Circa 94: 62-4.
Spaid, S. (2002). Ecovention, Current Art to Transform Ecologies. Cincinnati, The Contemporary Arts Center.
Stocker, G. and C. Schöpf, Eds. (1999). LifeScience, Ars Electronica 99. New York, Springer-Verlag.
Thompson, S. (2003). "Transformations in Science and Art." Fiberarts 30(3): 22.
Tomasula, S. "Genetic art and the aesthetics of biology." Leonardo 35: 137-44.
Troup, C. (2002). "ConVerge: Adelaide Biennial of Australian Art 2002." Art and Australia 40(2): 240-2.
Youngs, A. "The fine art of creating life." Leonardo 33: 377-80.

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